The Yes Men offer a humorous mockery of several political issues and individuals. In order to prove how abstract and manipulative some aspects of our politics can be, Andy and Mike impersonate and mock representatives from President Bush to members of the World Trade Organization. To them, appearance to their audience is important not to boost their own status, but to lower that of others. The Yes Men's intention is to make flaws and fallacies of authority figures and organizations known to the public through overemphasis and exaggeration of certain elements in the various presentations that they make worldwide. I believe that the Yes Men are unconcerned with the way they personally appear to their audiences since their cause is the focus of each event. This also allows them to be more effective and establish greater ethos in that the success of their objectives is more important than the personal recognition to gain.
Secondly, we read the article, "Punk Isn't Dead," and learned about the beginnings of the rebellious movement and how it was started. We determined that punk culture is a rebellion against authority and other social norms including, but not limited to, attitude and appearance. The punk movement encourages anti-establishment causes and prefers separation from society in dress and character. Many who fall into this category wear anything from plain dark attire to elaborate and grundgy costume-like clothing. This ususally creates a contrast against the normal attire of modern society, therefore creating the desired effect. Often those considered "punk" exhibit a carefree attitude and don't worry about the judgements of others. In addition, we also discussed how some people have jumped on the punk bandwagon and see the style simply as fashionable - not as a protest. Typically, these people do not hold the same beliefs about society and its authority, however may initially appear to be part of the rebellious statement. In many cases, the punk movement is defined by appearance, whether it is genuine or not.
